July 28, 2009

ROSEWOOD - Chapter 2


Built in the 1800s, the Rosewood Center finally shut down last year after a tumultuous and controversy-ridden history.


Few cities capture the spirit of "has-been" more than Owings Mills. Structures that were considered mansions in past lives dot the landscape, consumed by mossy vines. Rusty industrial relics remind visitors of a gilded past now exposed and depleted. Lawns of weedy tallgrass partially cover the dusty brick walls of low-income and minority communities.

And then there is the Rosewood Center. Built in 1888, the mental asylum grew to the size of a large university, with its own cafeteria, recreational center, even its own clinic. Yet the management quickly learned of its inability to lead such a facility. Stories of torture, abuse, and even rape surfaced throughout the institution's life, destroying its reputation little by little, until finally in 2006 the Rosewood Center was forced to close its doors. Now, three years later, the center's colonial-style buildings reek of neglect and slowly crumble into nothingness.

Ethan knew nothing of this when he jogged through the campus. It was a mild, sunny day, and the weather suited a brisk run. Although he noticed the Center's unkempt yards and dilapidated buildings, he figured that he was in an abandoned college or boarding school.

As he headed up the main road's shattered sidewalk, Ethan noticed what appeared to be a running track some one hundred meters to the left. The obsidian track, partially shrouded by trees, lay in a grassy depression. Although the day was fairly windy, the air around it seemed to stand still. Birds and insects appeared to avoid the track enclave altogether.

Yet the most obvious indicators never seem to deter our headstrong hero, who decided that the track would be ideal for running suicides. A weightlifter, he tried whenever possible to complement his training with anaerobic sets instead of long-distance cardio. And he had just found his proving grounds.

Just then, the shriek of a loud siren startled Ethan, who fell backwards. Struggling to gain composure, he pushed himself upwards to find a white van marked with the words "Baltimore Security." The driver, a middle-aged, grizzly black man, stepped out, perhaps amused at how little effort he needed to knock the younger man to the floor.

"You can't go that way. I know it looks abandoned, but this land belongs to the government now."

Ethan dusted his sleveless t-shirt off, slightly embarassed. "What's so special about this place?"

"This used to be the School for the Feeble Minded. A mental hospital for all kinds of crazy people. There was one lady who died losing all her blood after pulling out all her toenails with her bare hands. Another man went mad during lunch and gutted his caretaker with a cafeteria fork. Come to think of it, that happened twi-"

"Okay I get the picture!" Ethan snapped, somewhat disgusted. "Why did they shut this place down? Where else would those people go for help?"

The security officer's hoary brows tightened as he stared Ethan in the eyes. "They weren't getting any help here. People were tortured, they were mocked, raped, and abused at this center. Their beds were stuffed with asbestos so that they would pass away sooner and make room for new victims. You're in a twisted place. Stay away."

Some people shy away from what they fear. Others, like Ethan, take it as a challenge. The greatest adventures, after all, lie outside their comfort zones. Rejection only increases their curiosity and intrigue. So it was no surprise that scarcely one hour later, Ethan returned to the Rosewood Center, sneaking toward the obsidian track, past the security officers' watch.


July 27, 2009

ROSEWOOD - Chapter 1


The Rosewood Center in Owings Mills, Md. Formerly known as the Asylum and Training School for the Feeble Minded.




(based on a true story)

Ethan rushed his blue SUV down the I-795 corridor toward his new apartment in Owings Mills. The cardboard boxes full of books and furniture rattled as he careened past the all-too-comfortable Maryland drivers, those poor ambitionless spirits who satisfied themselves with poorly conceived speed limits. Always challenge the status quo, he affirmed to himself. He was reminded of a professor's favorite quote: Mankind thrives on creative destruction.

Although he looked forward to his new job as an academic dean, Ethan neither liked nor cared for the city of Owings Mills. "Just a sleepy suburb full of minorities and welfare babies," he would complain as he searched on the internet for a proper apartment. Most of his friends agreed; they were, after all, graduates of a prestigious and driven university, stewards of their future career aspirations to become brain surgeons and law partners. Yet Ethan did not flock with them to the usual cities where young professionals congregated. More than anybody, he longed for control, and he longed to stand out. He did not want to blend in with the scene in New York City or Chicago. Ethan wanted to become "the man," even if it meant coming to a dump like Owings Mills.

The apartment manager did not bother looking up as Ethan approached her desk, nor did she greet him. Ethan stood perplexed, unaccustomed to being ignored. In three weeks she'll know - no, they'll all know my name. Yet she continued to stare listlessly at her computer screen.

"Excuse me?" Ethan demanded. "I'm here for my apartment. I can't wait all day for you to daydream!" Ethan was not abrasive by nature, but he justified his behavior with a theory that combativeness was the only way to succeed in a competitive business environment. Although his aggressive approach landed him many enemies, he realized that even the worst adversaries respected his quick decisionmaking and inpenetrable facade. And respect was the most valuable commodity.

But the apartment manager barely seemed to notice. She continued to stare blankly into her computer screen. "Excuse me!" Ethan repeated. The manager looked at him apathetically. Without moving her lips, she quietly unclenched her fist to reveal a perfect set of Room 33 G keys. What a customer service disaster, Ethan thought to himself. He grabbed the keys and headed toward his room.

"Enjoy Owings Mills, Mr. Ethan."
Though he did not admit it, something about her voice made Ethan uneasy.




July 08, 2009

A Must-Have Writing Toy


This is essentially a decision tree for words; not only will you find all the meanings, associations, and synonyms of a particular word, but it gives you a neat web of how all these are connected. If you're ever stuck in a writer's block and don't trust the synonyms list on Microsoft Word, try this out. At the very least, you'll save yourself from the embarassment of making erroneous word choices.

July 02, 2009

July 11th Star Wars Concert!



Featuring the ASO at their new venue deluxe, the Verizon Wireless Ampitheatre. I'm extremely excited for this performance; not only will they play the original John Williams suite but also selections from Holst's The Planets and Richard Strauss' Also Sprach Zarathustra!

To put these works into perspective, Holst's Mars influenced the soundtrack to the movie Gladiator so much that the Holst society sued composer Hans Zimmer for copyright infringement. Kinda silly, in my mind, when most music can find its roots in some past work. Take the famous Ode de Joy theme, for instance: Beethoven borrowed that melody nearly verbatim from a popular drinking song.

Strauss' music, on the other hand, was actually used verbatim for the movie 2001: A Space Odyssey. Might have seen it in a few used car financing commercials as well. All in all, should turn out to be an awesome concert.

On a final note, although it's exciting to see the high turnout rates that these outdoors pops concerts usually get, unfortunately they don't usually translate to greater ticket sales for classical concerts. This hardly means that they are a strategic failure, though, since the orchestra not only gets plenty of pops revenue but also strengthens its role in its community, which ultimately leads to greater political and financial support during trying economic times ("in THIS economy..."). Just goes to show that orchestras can better navigate the waters by setting missions and goals outside the traditional classical spectrum.